25 Writing Tips From Famous Writers

May 09, 2018 | 10 min read

It’s such a liberating thought that there is no one way to express your creativity as a writer. As fast as this feeling comes, it’s replaced by the daunting task of putting pen to paper. Everybody has a story to tell. A story that the whole world needs to hear. If you’re struggling to get those words out, or you just want some inspiration, this collection of thoughts, musings, and writing tips should help.

"Everyone has a story to tell. Everyone is a writer. Some are written in the books, and some are confined to hearts." -Savi Sharma

We collected 25 time-tested writing tips from bestselling authors from today and days past.

--------------

25 Writing Tips From Famous Writers

1. “Show up, show up, show up, and after a while the muse shows up, too.” - Isabel Allende

The works of Isabel Allende have sold over 70 million copies and been translated into 35 different languages. The Chilean writer is famous for novels such asThe House of the Spirits (1982) andCity of the Beasts (2002). She brilliantly weaved together elements of myth and realism, often relating to her personal experiences as a woman.

Allende went on to say, “I need to tell a story. It’s an obsession. Each story is a seed inside of me that starts to grow and grow, like a tumor, and I have to deal with it sooner or later.

2. “This is how you do it: you sit down at the keyboard and you put one word after another until it’s done. It’s that easy, and that hard.” - Neil Gaiman

Source:Pens, Rules, Finishing Things And Why Stephin Merrit Is Not Grouchy

Following the advice of Allende, Neil Gaiman suggests putting one foot in front of the other. When a young writer asked the author how to take the last steps towards finish his stories, Gaiman offered this advice, “How do you finish them? You finish them.” Gaiman’s work has been honored with many awards including the Newbury and Carnegie Medals.

3. “If you’re using dialogue, say it aloud as you write it. Only then will it have the sound of speech.” -John Steinbeck

A Pulitzer Prize winner and Nobel laureate John Steinbeck has written a plethora of wisdom. Even if you’re not an avid reader, you’re probably familiar with Steinbeck’s most significant works. His novels,The Grapes of Wrath andOf Mice and Men defined the American Great Depression. Reading your text aloud to yourself helps to ensure that it flows like a conversation.

Leonard's Writing Wisdom

4. “If it sounds like writing, I rewrite it.” -Elmore Leonard

Steinbeck and Leonard share similar writing wisdom. Whether you choose to read it aloud or rewrite it, take their advice and find a way to make your writing sound less like… writing.

5. “Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.” -Zadie Smith

As writers, it’s crucial that we protect our personal space from the multitude of distractions we are faced with every day. Roommates, friends, family, work, and the neighbor's dog all can make it difficult to produce your best work. If you’re available to everybody and everything, you will feel drained and fatigued. When it comes to your work, you're not in the wrong for protecting your personal space.

6. “In the planning stage of a book, don’t plan the ending. It has to be earned by all that will go before it.” -Rose Tremain

Many writers will disagree with this quote. If you start with the end in mind, and that works for you, then maybe this advice isn’t for you. Rose Tremain, the English novelist suggests you earn the ending based on what you've developed beforehand.

7. “Always carry a notebook. And I mean always. The short-term memory only retains information for three minutes; unless it is committed to paper you can lose an idea for ever.” -Will Self

Will Self has authored ten novels, five short stories, three novellas, and five collections of non-fiction writing. The English novelist isn’t the only writer to carry a notebook at all times. Never forget that fleeting idea that could be your next great novel. Without writing them down, those forgotten thoughts will only come back to distract you and hold your mind prisoner.

Self is in good company. Richard Branson, the English business magnate, carries a notebook everywhere he goes. The billionaire considers himself a student of life.

8. "Simplicity is the ultimate sophistication." –Leonardo Da Vinci

You can find hundreds of writers who elect to use more straightforward language to get their point across. Sometimes, we assume that a bigger vocabulary means better writing, but that’s simply not true.

Here are a few more quotes to get the point across.

“Writing isn’t about using words to impress. It’s about using simple words in an impressive way.” - Sierra Bailey

“If you can’t explain it to a six-year-old, you don’t understand it yourself.” - Albert Einstein

Ernest Hemingway Writing Tips

9. "There is nothing to writing. All you do is sit down at a typewriter and bleed." - Ernest Hemingway

The goal of every writer is to find their flow state AND stay there.  The Freewrite is a manifestation of Hemingway’s idea. Ernest Hemingway suggests you sit down at your writing device and, figuratively, bleed. Let the thoughts flow, regardless of how difficult that may be. Leave the editing for later.

10. “You can’t wait for inspiration, you have to go after it with a club.” -Jack London

Jack London went on to say, “and if you don’t get it, you will nonetheless get something that looks remarkably like it.” Jack London, an avid adventurer, found inspiration in all of his travels. He inspired generations of people to leave the comfort of home and explore the world. Don’t just sit back and wait for an idea to hit you. Go after it, and don’t forget your club!

11. “Forget the books you want to write. Think only of the book you are writing.” -Henry Miller

How many unfinished novels do you have sitting on your hard-drive, aging like fine wines?

We all do this.

Dream up a brilliant idea, get a few thousand words into it, only to be whisked away by the next distraction.

We all like to think that we’re capable multitaskers. However, multiple studies have shown that handling various tasks at once is not only damaging to the brain but also your career. Put your full creative energy into one project at a time.

12. “If you don’t have time to read, you don’t have the time — or the tools — to write. Simple as that.”Stephen King

Stephen King has published a whopping 56 books as of today (5/7/18). The award-winning author still finds the time to read 70 books a year. He takes advantage of every idle moment in lobbies, waiting rooms, and checkout lines.

What’s Stephen’s trick? Teach yourself to read in small sips as well as in long swallows.

Source:Stephen King: The Craft Of Writing Horror Stories

Anton's Writing Tip

13. “Don’t tell me the moon is shining; show me the glint of light on broken glass.” -Anton Chekhov

I want you to close your eyes. Now imagine two scenes:

1. The moon is shining.

2. A glint of light from the moon shines on the broken glass.

Now, which one is more descriptive? Which scene is more enticing? I’d choose the latter, and I’m sure you would too. This quote is a classic case of “show, don’t tell.” Showing makes your writing far more interesting to read. Help move the reader along by adding some imagination and color to your passages.

14. "Never use a long word where a short one will do." - George Orwell

Eric Arthur Blair, better known by his pen name George Orwell, was an English writer famous for the novels1984andAnimal Farm. In the absence of skill, using long words makes you look pretentious. They also are awkward to read and interrupt the reader's flow.

15. "A short story must have a single mood and every sentence must build towards it." -Edgar Allen Poe

Edgar Allen Poe is most noted for his poem, "The Raven." In books, you have time to let the story develop and breathe. You can risk adding details that you deem necessary. When writing short stories, you must condense an entire story into a few pages. There isn’t any room for sentences that don't lead to the ending.

16. "Quantity produces quality. If you only write a few things, you're doomed." - Ray Bradbury 

When I was 16 years old, I decided that I wanted to work in content creation and online marketing. I took it upon myself to watch every video and read every book pertaining to writing and copy-writing.

Eventually, I stumbled upon a video of Seth Godin offering advice to young college graduates. He left me with a lesson that I will NEVER forget. He said, “move fast and break things.”

That inspired me to start my first blog. It quickly grew to 5,000 monthly page views. My first blog posts were horrendous, but I quickly learned what worked and what didn’t. Bradbury offers similar advice. Spend every free minute writing, even if you don’t plan to share it with the world.

17. “Every sentence must do one of two things -- reveal character or advance the action." -Kurt Vonnegut

In his 50-year writing career, Vonnegut published 14 novels, three short story collections, five plays, and five works of non-fiction. Combine Vonnegut’s and Poe’s advice into a single statement, every sentence of a short story must do one of three things -- reveal character, advance the action, or build towards a single mood.

18. “The historian records, but the novelist creates.”E. M. Forster

Great novelists have the unique ability to invent their reality. E.M Foster, an English novelist, examined class difference and hypocrisy in early 20th century British society.A Room With A View, one of his most famous works, was turned into an award-winning movie in 1985.

19. “Read, read, read. Read everything - trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.” -William Faulkner

If I could offer you only one piece of advice for becoming a better writer, I would suggest this - read and write a lot. As you read and write more, you develop a better understanding of what is good and bad writing. William Faulkner, an American writer and Nobel Prize laureate had an insatiable drive to keep writing and was never completely satisfied with his work.

Nora Roberts' Writing Tip

20. "You can fix anything but a blank page.” -Nora Roberts

Putting pen to paper is a recurring theme in this article. We’ve heard Hemingway, Faulkner, Bradbury, and now Roberts offer similar advice.

One of my favorite mentors, Jim Rohn, said, “Success leaves clues.” People who produce outstanding results do specific things to create those results. As writers, there are many ways to skin a cat, but the commonalities of successful writers remain.

21. “You have to get to a very quiet place inside yourself. And that doesn’t mean that you can’t have noise outside. I know some people who put jazz on, loudly, to write. I think each writer has her or his secret path to the muse.” -Maya Angelou

I know I’m not the only one to struggle with finding a quiet place inside myself. I’ve tried everything from locking myself into a dark room, to hiding my cell phone, and listening to my favorite music. My secret path to the muse is listening to Binaural Beats. As I write this article, I’m listening to the soothing sound ofDelta Waves for Deep Healing Sleep.

22. “When you’re stuck, and sure you’ve written absolute garbage, force yourself to finish and THEN decide to fix or scrap it - or you will never know if you can.” -Jodi Picoult

Jodi Picoult, an American writer, has sold over 14 million copies of her 24 novels. Until you push your own self perceived boundaries, you'll never know how far you can go.

Source:Jodi Picoult: The million-selling novelist on carving out time for writing and the influence of Gone With the Wind

23. “You have to actually write. Daydreaming about the book you’re going to write someday isn’t writing. It’s daydreaming. Open your word processor and start writing.” - Andy Weir

Les Brown, a world famous motivational speaker, has in my mind one of the most inspirational quotes of all-time.

The graveyard is the richest place on earth, because it is here that you will find all the hopes and dreams that were never fulfilled, the books that were never written, the songs that were never sung, the inventions that were never shared, the cures that were never discovered, all because someone was too afraid to take that first step, keep with the problem, or determined to carry out their dream.”  - Les Brown

If you want to be a writer, you have to write and write and write. It starts with one. One character, one word, then one page. They key is, you have to start.

24. “I went for years not finishing anything. Because, of course, when you finish something you can be judged.”-Erica Jong

Erica Jong is an American novelist and poet best known for her 1973 novel, Fear of Flying.She shared her battle with finishing her work. For many writers, their works are their most personal possessions. Take solace in the fact that there is somebody out there who needs your writing. Why take a chance that they may never get to read it?

25. “Ignore all proffered rules and create your own, suitable for what you want to say.” -Michael Moorcock

Source:Michael Moorcock’s rules for writers

A few years back, The Guardian asked some of the most esteemed contemporary authors for any golden rules and writing tips they bring to their practice. Michael Moorcock isn’t the first writer to operate under the idea of “writing what you want”.  First, make yourself the audience by telling a story you would want to read. This is a fitting quote to leave for the end. Perhaps Mr.Moorcock has written the final rule on succeeding as a writer.

Did you find these writing tips useful? Now it’s your turn to take this inspiration and make it your own.

 


Carlton ClarkCarlton Clark loves to write about business, baseball, and popular culture. A writer, marketer, and entrepreneur. At the age of 14, he founded the media company ballplayerplus.com. Currently, Carlton helps businesses share their stories through social media and blogging. When he’s not writing or creating content, Carlton coaches youth baseball at his local high school and plays guitar. You can find him online on Instagram @itscarltonclark, and on Twitter @carlton_mukasa

 

 

Freewrite - Distraction-free Smart Typewriter

Recommended articles

More recommended articles for you

April 22, 2024 5 min read

By Benjamin Westland

We've all been there — staring at a blank document, not knowing where or how to start.

Ideas bounce around in my head all day long, but as soon as I sit down in front of my draft, they just won't come out because I can't decide on one of the many things in my head.

Embrace randomness as a creative partner and you'll find that, with the right approach and attitude, that uncertainty is an opportunity for exciting twists and fresh ideas in your writing.

I want to show you a tool that has helped me find a way out of these blocked situations and also improve as a writer. All you need are three six-sided dice and some paper. (Of course, if you’re on the move and don’t have any dice with you, any dice-rolling app on your phone will work.)

Writing with dice can help you make unexpected choices in your writing process that can take your creativity in new directions.

Remember, you don't have to write the perfect story in your first draft. It's about capturing ideas before they're gone. So let go of perfectionism and enjoy the creative process.

Meet The Oracle

This approach is based on the idea that we can ask an “oracle” our questions to steer our writing in interesting and inspiring directions. Just as our friends or partners sometimes offer to do when bribed with coffee and cake. In this instance, however, the oracle is the dice.

The dice take on the role of the oracle, answering our questions and relieving us of the burden of thinking too long about a decision.

“But what questions should I ask, and what do I gain from a generic yes/no answer?” you may ask.

The short answer is: it depends…

It depends on the context in which you ask the questions.

It could be anything from the genre, basic considerations about how you want to tell the story, the characters involved, or the tropes and ideas you want to incorporate. Maybe even the different storylines and how they develop.

All of this is the context in which we make narrative decisions. In this exercise, it’s what will inspire our questions.

When you want to know where the story might go based on what you already know, ask the oracle. Don’t overthink it. Instead, introduce chance and see what the oracle says. You never know when the story will take you in new directions.

 

How do I know what the oracle says…?

The general idea is quite simple: you formulate a question that can be answered yes or no, and roll the three six-sided dice. The oracle will answer with the results you see in the table below.

Add up the numbers on the dice and look up the oracle’s answer in the table.

In addition to clear yes/no answers, the Oracle can also give us more nuanced answers: a weakened form (10,11) and an intensified version (3-4, 17-18). 

Furthermore, if you have extra context from the story to add to the question, apply the modifiers in the below table to the sum of your dice.

 

Confusing? Let’s see how it works in writing a scene:

My Question: Is it raining when Isabel leaves the café? (It’s unlikely, it’s a hot day in the story.)

Result: The three dice show: 4, 4, 3 to equal 11. I subtract 1 for “unlikely.” My final answer is 10. (No, but…) 

This simple question alone created a better atmosphere in the scene — and it also gave me some ideas for a later scene in which the approaching summer storm influences the rest of the story.

 

Let's have a look at a longer example: how I use the oracle at the very start of drafting a story.

All I have prepared for this is the dice, my Freewrite, a stack of blank index cards, and a small hourglass.

I use the index cards for lists of things that are relevant to my ideas, sometimes prepared, sometimes made up as I write to let the dice make a decision. One of the lists I created before the first session was a collection of interesting genres that I liked for my next story.

I randomly drew three themes from that list: Victorian, Supernatural, and Soldier.

I already liked this combination, and the first ideas didn’t take long to come. I asked some oracle questions ("Is this set in Victorian times?”, “Is it a haunted house?”, etc.) to help me figure out the basic setting. What I learn is that we are not in Victorian times, but the story takes place in a Victorian villa that is said to be haunted. The villa has been converted into a hotel and has attracted many tourists since the bloody history of the house became known on the internet.

With a few more questions, I learn that the protagonists are guests at the hotel. One of the protagonists has been trying unsuccessfully for years to become famous as an influencer of supernatural phenomena — with little success. He has his best friend with him, who has just finished his studies and has been persuaded to go on a trip. He doesn't believe in ghosts.

That's enough information for me to work with for the setting. I take notes on an index card and ask the oracle where to start. Turns out the two friends have just arrived by train and are making their way through the old town to the villa.

I turn the hourglass and start to write.

The sand runs out as the two protagonists navigate through the hustle and bustle of the town and get lost in the maze of winding streets. The hourglass tells me it's time to interrupt my writing with a random event. I use a combination of oracle questions and spontaneous lists of possibilities that come to mind. Again, I let the dice decide which option to choose.

I find that my protagonists are approached by a merchant and lured into his shop. There, they discover an old object that seems to magically attract them. Cool! The scene has gained a bit more flavor thanks to this visit. I also wonder what the object has to do with anything. I turn the hourglass again and keep writing to find out.

  

 

The dance between predictability and spontaneity is fascinating, and I hope this has given you a small, helpful insight into the oracle approach.

My recommendation is to choose an existing project first and use the oracle at specific points in the writing process. The advantage to this is that you will already know more about the context, and it may be easier to make your first lists of ideas or to know when or how to ask the oracle questions.

If you prefer to start from scratch, take a writing prompt of your choice and brainstorm with the oracle to find a starting point for the first scene.

Happy writing!

--

Ben Westland is a freelance ghostwriter, editor, and author of interactive fiction, bringing a diverse background in computer science, product development, and organizational change. Ben holds a doctoral degree and has authored two scholarly works on knowledge management, as well as various interactive narratives that employ storytelling to enhance organizational training.

Ben is one of the editors of inspiration.garden, an inspirational creativity magazine, and has recently launched storyhaven.online to publish his serial fiction as he explores new narrative forms.

Having lived and researched in Spain and Japan, Ben now draws on his experience to create immersive stories and help others find their creative voice.

April 17, 2024 5 min read

As haiku finds its way into the English language and culture, it encounters a series of challenges that threaten to dilute its essence and distort its beauty. We went on a deep dive to explore whether the English language is inadvertently butchering haiku, robbing it of its authenticity and depth.

April 17, 2024 4 min read
Today, we're releasing a firmware update for Traveler and Smart Typewriter, version 2.0.3, and a corresponding improvement on Postbox to further reduce the chances of unintentional draft loss.